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And I used you as you did everything. Not even to your own family you didn't. They may not say so to your face, but that's what they say about you behind your back, and it hurts me to hear them say it, but got to agree with them a feelings. I'm glad you said it, Emily.
I never thought that such a thing was happening to me. I guess it's hard for a fella not to have I. It's not as easy for a girl to be perfect as a man, because we girls are. They advance toward the audience and make an abrupt right turn, opening the door of Morgan's drugstore.
Morgan, from stands between the audience and the counter of his soda. She almost got run over by that hardware-store wagon. Everybody says that. Drawing a drink of water. You take a drink of water, Emily. You look now! Well, I tell you, you Ve got to look both ways before ycm cross Street these days. Gets worse every year. What'B you have?
Yes, sir. There are a hundred and twenty-five horses in Grover's Corners this minute. Why, I can remember Street all in the of Main and middle nothing come along sleep. I'm glad you spoke to me like you did. I'm going to change so quick you bet I'm going. I certainly will, George. They start sipping the sodas through the straws. It certainly seems like being away three years you'd get out of touch with things. Maybe letters from Grover's Corners wouldn't be so interesting after a while.
Grover's Corners isn't a very. Yeah, and some of them say that it's even a waste of time. You can get all those things, anyway, out of the pamphlets the government sends out. And Uncle Luke's getting old, he's about ready for. And, like you say, being gone all that time I guess new people aren't any happen better than old ones.
I'll bet they almost never are. I feel that you're as good a friend as I've got. I don't need to go and. Of all that about course, I don't. After a pause, very seriously. I'm going to make up my mind right now. I won't go. Emily, about it Pa tell I'll tonight.
I was doing the same about you all the time. Why, sure, I always thought about you as one of the chief people I thought about. I always made sure where you were sitting on the bleachers, and who you were with, and for three days now I've been trying to walk home with you; but something's always got in the way. Yesterday I was standing over against the wall waiting for you, and you walked home with Miss Corcoran. I think that once you've found a person that you're. Takes a deep breath and straightens his back.
Morgan, I'll have to go home and get the money to pay for. Look, here's niy gold watch I come back with the money. Taking up the books from the counter, I'm ready. They arrange the pews for the church in the center of the stage. The congregation will sit facing the back wall. The aisle of the church starts at the center of the back wall and comes toward the audience. For a while now, the play gets pretty serious. Y'see, some churches say that marriage is a sacrament. Like Mrs. Well, we've seen nature pushing and contriving for all know that nature's interested in time now.
Twan't very long, anyway. The organ starts playing Handefs "Largo" The congregation streams into the church and. I suppose there's about. It came over me at breakfast this morning; to cry nothing there was Emily eating her breakfast as she's done for seventeen years and now she's going off to eat it in someone else's house.
She suddenly said: I can't eat another mouthful, and she put her head down on the table and she cried. She starts toward her seat in the church, but turns back.
Look at him, fellas he looks Yaow! George, don't look so innocent, yoa old geezer. We know what you're thinking. Don't disgrace the team, big boy. All right! That's enough of that. They lean back to. There used to be an awful lot of that kind of thing at weddings Rome, and later. We're more civilized now,.
His mother, from the front row, seems to have -felt his confusion. She leaves her seat. Thursday nights. Emily and I are coming dinner every Thursday night you'll see.
Ma, what. GIBBS, mastering her emotion, fixes his tie and 'whispers to him. Don't you remember that you used to say, all the time you used to say all the rime: that I was your girl!
There must be lots of house. I'll work for you. I could keep. And I mean for ever. Do you hear? For ever and ever. They fall into each others arms. The March from Lohengrin is heard. EMILY proceeds up the aisle cm her fathers arm. Loveliest wedding I ever saw.
Oh, I do love a good wedding, don't you? Doesn't she make a lovely bride? Oh, I think it's lovely. The ring. The kiss. The stage is suddenly arrested into silent tableau. The organ picks up the March. Oh, I've never been to such a nice wedding. I'm sure they'll be happy. I always say: happiness, that's the great thing!
The important thing is to be happy. They descend into the auditorium and run up the aisle joyously. On the right-hand side, a little right of the center, ten or twelve ordinary chairs have been placed in three openly spaced rows facing the. These are graves in the cemetery. The -front row contains: toward the center of the stage, an empty chair; then MRS. The second row contains, among others, MRS. The dead do not turn their heads or their eyes to right or but they sit in a quiet without stiffness.
When they speak their tone is matter-of-fact, without sentimentality lefty. This time nine years have gone by, friends summer, Gradual changes in Grover's Corners. Horses are getting. Farmers coming into town in Fords.
Everybody locks their house doors now at night. Ain't been any burglars in town yet, but everybody's heard about 'em. Washington where North Conway and Conway is. And, of course, our favorite mountain, Mt.
Yes, beautiful spot up here. Mountain laurel and li-lacks. Pointing to stage left. Strong-minded people that come a long way to be independent. Summer people walk around there.
And genealogists come up from Boston get paid by city people for looking up their ancestors. They want to make sure they're Daughters of the American Revolution and of the May-. Well, I guess that don't do any harm, either. Wherever you come near the human race, there's layers and layers of nonflower.
This here is the new part of the cemetery. Here's your friend Mrs. Stimson, organist at the. And Mrs. Soames who enjoyed the wedremember? Oh, and a lot of others. Yes, an awful lot of sorrow has sort of quieted down up here. Congregational Church. People just wild with grief have brought their relatives up to this all know how it is We're all glad they're in a beautiful pkce and we're coming up here ourselves when our.
Now there are some things we all know, but we don't take'ni out and look at'm very often. We all know that something is eternal. And it ain't houses and it ain't names, and it ain't earth, and it ain't. All the greatest people ever lived have been telling us that for five.
There's something way down deep that's eternal about every human being. Gradually, gradually, they lose hold and the ambitions they had. They're waiting They're wairin' for something that they feel is comin'. Something important, and great. Aren't they waitin' for the eternal part in them to come out clear? Some of the things they're going to say maybe'H hurt your feelings but that's the way it is: mother'n daughter.
There are some living people. There's Joe Stoddard, our undertaker, supervising a new-made grave. And here comes a Grover's Corners boy, that left town to go out West. CRAIG enters. Gracious sakes' alive! Of all people! I should'a knowed you'd be back for the funeral. You've been away a long time, Sam. I'm in business out in I was in the East when I got news of my. You look well. I always say I hate to supervise when a young person is taken.
They'll be here in a few minutes now. I had to come here early today. Doc -Gibbs lost his wife two-three years ago time. And today's another pretty bad blow for him, Yes,.
Aunt Julia. There aren't many of those Hersey me see: where are I wanted to look at. Had some trouble bringing a baby into the world. There's a little boy 'bout four years old. I see they're comin'. From left to center, at the hack of the stage, comes a pro-. They gather about a grave in the back center of the stage, a little to the left of center.
Wasn't it a lovely wedding! And I remember her reading the class poem at Graduation Exercises. I've heard Principal Wilkins say so time after time. I called on them at their new farm, just before I died. Perfectly beautiful. She is wearing a 'white dress. Her hair is down her back and tied by a white ribbon like a little girl She comes. She stops halfway and smiles -faintly. After looking at the mourners -for a moment, she walks slowly to the vacant chair beside Mrs.
Gibbs and sits down. Mother Gibbs, George and I have made that farm into just the best place you ever saw. We thought of you all the time. We wanted to show you the new barn and a great long ce-ment drinking fountain for the stock.
Don't you remember, Mother Gibbs the legacy you Why, it was over three hundred and fifty dollars. EMILY: Well, there's a patent device on the drinking fountain so that it never overflows, Mother Gibbs, and it never sinks below a certain. Suddenly she looks directly at Mrs. Live people don't understand, do they? They're sort of shut up in little boxes, aren't they?
I feel as though I knew them last a thousand. Mother Gibbs, we have a Ford, too. Never Mother Gibbs, when does one of them? How long Of. GIBBS has come over to his wife's grave and stands before it a moment. EMILY looks.
Father Gibbs is bringing some of my flowers to you. He looks just like George, doesn't he? Oh, Mother Gibbs, I never. She appeals urgently to the stage manager.
I can go and live ,. When you've been here longer you'll see that our life here is to forget all. When you've been here longer you'll understand. I can choose a birthday at least, can't I? I choose my twelfth. We'll begin at dawn. You remember it had been snowing for it had stopped the night before, and they had. And, look, there's the old white fence that used to be around our house. Oh, I'd forgotten that! Oh, I love it so! Are they inside? There's Howie Newsome. There's our policeman.
But he's dead; he died. You can come and dress by the kitchen fire, if you like; but hurry. Think of it! Keep yourself wrapped up. She takes her bottles in, shuddering. WEBB: Just open your eyes, dear, that's all.
I laid it out for you special on the dresser, there. If it were a snake it would bite you. Been right it's ten below over to his barn. Students' ears are falling oif. It ain't Christian. Paper have any mistakes in it? Don't interrupt her now, Charles. You can see her at breakfast. She's slow enough as it is. Hurry up, children! It's seven o'clock. They're so young and beautiful. Mama, I'm here. I'm grown up. She crosses to the inner door to the kitchen, left of her Toother, and as though entering the room,.
WEBB: Crossing to embrace and kiss her; in her characteristic matter-of-fact manner. WEBB: Facing the audience, over her stove. But birthday or no birthday, I want you to eat your breakfast good and slow. I want you to grow up and be a good strong girl. I found it on the you must. With motmting urgency. Oh, Mama, just look at me one minute as though you really saw me. Mama, fourteen years have gone by. I'm dead. You're a grandmother, Mama. I married George Gibbs, Mama.
Wally's dead, too. Mama, his appendix burst on a camping trip to North Conway. We felt just terrible about it don't you remember? But, just for. You're old enough to wear it now, and I. Wally has something for you, too. He class and he's very proud of it. Be sure it. Mama Good-by, Good-by, world. Good-by, Grover's Corners and Mama's sunflowers. PDF Expert v3. Nitro PDF Professional Adobe Reader XI Nitro PDF Pro PDF Expert v4.
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